Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Henri Toulouse-Lautrec
Comtesse Adele-Zoe de Toulouse-Lautrec (The Artist's Mother)

ID: 01712

 Henri  Toulouse-Lautrec Comtesse Adele-Zoe de Toulouse-Lautrec (The Artist's Mother)
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 Henri  Toulouse-Lautrec Comtesse Adele-Zoe de Toulouse-Lautrec (The Artist's Mother)


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Henri Toulouse-Lautrec

  Related Paintings of Henri Toulouse-Lautrec :. | Napolean Bonaparte | El Dorado | The Reading Room at the Chateau de Malrome | Jane Avril -1899 | La Revue Blanche |
Related Artists:
George Price Boyce,RWS
1826-1897 English painter. He was the son of a prosperous wine merchant and pawnbroker. His childhood was spent in London, and in 1846 he was apprenticed to the firm of architects Wyatt & Brandon, where he remained for three years. He was always fascinated by ancient buildings but gradually lost interest in architecture as a career. In 1849, perhaps as a result of meeting David Cox at Betws-y-Coed (Gwynedd, Wales), he decided to become a painter. In the early 1850s Boyce drew landscape and architectural subjects with a fluent watercolour technique derived from Cox. In 1854 Boyce made an extended journey to Italy; he painted views of buildings in Venice and Verona
Eugene Delahogue
1867-1935
Pontormo
Italian Mannerist Painter, 1494-ca.1556 Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter.






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